These French composers, in the group’s judgment, had abandoned the classic French principles of restraint and clarity. The group’s primary bond was a common reaction against the emotionality of César Franck and his disciples, and the impressionism of Debussy and Ravel. Poulenc first won recognition as a member of Les Sixes, a group of rebellious French composers that also included Darius Milhaud. But a number of his other works - the Concert Champêtre for harpsichord and orchestra, his piano pieces, his instrumental sonatas and chamber music, and his songs - also assure him a permanent place in 20th century music. Mainly, this reassessment has occurred due to The Dialogues of the Carmelites, his opera about a group of doomed nuns in the French Revolution, which has become a staple of the opera repertory. Since World War II, musicians and critics have had second thoughts about Poulenc’s work. ![]() In a period of atonality and other experimentation, he wrote in a simple musical style, which unsophisticated listeners could understand. During the first 50 years of his life, there was a tendency in professional musical circles to downgrade his music. Francis Poulenc is now considered one of the 20th century’s leading French composers.
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